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Finally,
after 47 years, I have found a civilized way to polish
my silver.
--Mrs.
E. M. Sherman, (ad for Cape Cod Silver,
New
York Times)
Metallurgy: Symbol Ag
Ann Folwell Stanford
I can see
why you are relieved, Mrs. Sherman. I was three
when you began worrying
about
your silver. I believe I noticed my own
creeping
unease as well--a dark scrim obscuring the mirror beneath.
I imagined it moving stealthily on hands and knees, spreading
across the surface,
rooting at intervals,
clinging with suckers and tendrils, shifting gradually across
the
surface of my world as I grew and worried and grew some more.
Bomb shelters, radiation leaks. And always communists. We crouched
under little desks
in Florida when the Cuban missile crisis came to town, certain
they
would soon bring godless bloodshed, totalitarian misery, to
us all.
Experimental rockets exploded over Cape Canaveral’s coast,
ripped the sky open,
leaking liquid fire across the stars like a torn womb.
Hurricanes
whipped windows from houses, stole electricity from our lives.
Like mold, fear seemed to conquer most of life. And even worse,
my mother’s
silver. How to find a civilized way to fight and conquer
the
ugly, the brutal, (we might as well go ahead and say it) tarnish--
from teapot to serving tray, it spread across delicate scrolls
and geometrics,
sugar pot, cream pot,
and even, God help us, to the cutlery, and maybe
to
the drawer itself (you never knew)--a suffocating, difficult
dirt.
The maid fought back, dipped silver in water, rubbed smelly
chemicals across every
plane, inside each
delicate whorl to conjure a temporary luster through the grime.
And
all the while cities were burning, busses boycotted, kings shot.
Alchemists called the metal Luna or Diana for the moon, but
scientists know
that sulfur and sulfides
attack its shiny skin, as though to force it back to its
origins:
clumped, brown knots invisible under the earth’s great
boot.
Mrs. Sherman, you’ve convinced me. It has a vanilla scent,
you say? Send three.
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